Saturday, August 20, 2016

Jaws for a New Generation | THE SHALLOWS (2016)

Nancy kicks it with Steven Seagull while she figures things out.
Dir. Jaume Collet-Serra

A touching family tearjerker bookends this creature-feature about surfer-cum-medical student, Nancy Adams (Blake Lively), who travels to a secluded beach in Mexico to catch the perfect wave and cope with her mother’s recent passing. 

It’s an idyllic locale—Australia’s Gold Coast subbing picture-postcard-perfectly for the Mexican shoreline—and Nancy is as tough as she is smart, let alone athletic and lithe (not a little bit due to body-double, Sarah Friend).

A convincingly CG’d great white and gorgeous-yet-lethal cove conspire to give Nancy the battle of her life, a contest that pits woman against nature.  The taut ride is paved with jump-scares and gut wrenching instants, such as each time Nancy comes crashing into razor-sharp coral, or when she uses her gold earrings to staple together one of her wounds.  As a heroine she’s quite resourceful, later even making good with a stray shark tooth. 

A seagull (Steven Seagull in the film though his real name is Sully) plays an unexpectedly prescient supporting role, enough to infer that its white, feathery form represents maternal encouragement from the other side, a theme that concretizes when Nancy’s mom appears to her in a passing but powerful vision. Has an animal ever been nominated for an Academy Award?


Although it’s visceral to watch, The Shallows is never unnecessarily gory; suffice to say many summer beach vacations will have been ruined as a result. 

Sunday, May 29, 2016

Bros, Broads and Blood | GOODFELLAS (1990)

Don't tell mama about the body in the trunk.
Dir. Martin Scorsese

Being such a character-driven genre piece, there’s much to love about re-watching Goodfellas, with its smattering of brilliant performances from an all-star cast, if there ever was one to wax nostalgic about.

Making an appearance just long enough to get whacked, skinny-ass Samuel L. Jackson’s cameo as Stacks Edwards is fantastic as it is bloody and brief. The real heavyweights here, though, are Paul Sorvino and drama queen Loraine Bracco, each pouring forth raw talent at opposite ends of the spectrum, the former delivering a quiet tour-de-force as mob boss Paulie Cicero and the latter playing Karen Hill, a tightly-wound mafia wife driven to high hysterics by her husband’s besmirched career path.

That gangster is Henry Hill, played by Ray Liotta, a pretty-boy ruffian with the bluest eyes who serves as the perfect foil to partners-in-crime, James Conway (Robert de Niro) and Tommy DeVito (Joe Pesci). Not only does the trio condone the gory requirements of their profession, they appear to enjoy it, an unnerving trait in characters with so much simpatico. 

The supporting cast provides a human tapestry over which the story weaves through, with stellar turns delivered by Martin’s mother, Catherine Scorsese, as the universal Italian mom, Illeana Douglas popping in as the doe-eyed gangster girlfriend, Rosie, and especially Debbi Mazar as top coke bitch, Sandy, who knows a thing or two about chopping up and packing blow.

Throw in the accents of Queens, New York, and the gaudy-chic style of the late '70s / early '80s and you’ve got not just an undying cult classic, but a true-ringing sociological study of a time and place that will come to exert great influence on subsequent generations of filmmakers such as Quentin Tarantino.

Sunday, February 8, 2015

Vault of Anime Classics | DEMON CITY SHINJUKU (1988)

How did Shinjuku get such a bad rap? 

dir. Kawajiri Yoshiaki

Kyoya Izayoi must go forth to avenge the death of his father, killed trying to stop the evil sorcerer Rebi Rah. Accompanied by the world's president's beautiful daughter Sayaka, Kyoya must survive the hazards of Shinjuku Monster City and master the power of nempo within him to kill Rebi Rah and stop his evil plans.

The 1988-released anime was also distributed as Demon City Shinjuku; Hell City Shinjuku (US) and Monster City (UK).  It is based on the novel by Kikuchi Hideyuki, with screenplay by Okamura Kaori, and direction of Kawajiri Yoshiaki (Wicked City, Ninja Scroll, Vampire Hunter D: Bloodlust!).