Sunday, February 8, 2015

Vault of Anime Classics | DEMON CITY SHINJUKU (1988)

How did Shinjuku get such a bad rap? 

dir. Kawajiri Yoshiaki

Kyoya Izayoi must go forth to avenge the death of his father, killed trying to stop the evil sorcerer Rebi Rah. Accompanied by the world's president's beautiful daughter Sayaka, Kyoya must survive the hazards of Shinjuku Monster City and master the power of nempo within him to kill Rebi Rah and stop his evil plans.

The 1988-released anime was also distributed as Demon City Shinjuku; Hell City Shinjuku (US) and Monster City (UK).  It is based on the novel by Kikuchi Hideyuki, with screenplay by Okamura Kaori, and direction of Kawajiri Yoshiaki (Wicked City, Ninja Scroll, Vampire Hunter D: Bloodlust!).

Friday, October 18, 2013

Perfect Anime | PERFECT BLUE (1997)

Will the real Mima please stand up?
dir. Kon Satoshi

This psychological thriller anime from Kon Satoshi delves groundhog-day-style into the nature of reality, plumbing the depths of the mind of protagonist Kirigoe Mima aka Mima-Rin, a pop starlet trying to make the difficult transition towards being taken seriously as an actress.  As she and her management navigate the perilous waters of her exploitation-filled debut on a drama flick, Mima becomes the target of a psycho killer triggered by her change in career and the subsequent besmirching of her formerly innocent image. 

Utilizing the gorgeous trappings of the anime medium, graphically gory scenes (icepick stabbings, say) are interspersed with rounds of depressing beauty (the commuter train making its way through the dreary, night skyline of impersonal, overcrowded Tokyo).  There are also moments of shocking sexual violence (an enacted rape scene filmed for the movie foreshadowing an almost "real" rape) and demoralizing nudity (the skin-shots Mima poses for then later regrets).  Also the motif of reflections, most realistically executed, brings added dimensions to the exploration of dissociative disorder and the pliable nature to perception and reality.        

Kon masterfully weaves the tale of mental breakdown, causing viewers to question the nature of the events being depicted.  What part is reality, What is the film, and What is merely a figment of Mima's imagination?  All elements build towards deliberate confusion that works to unsettling effect with the reveal of the killer's identity.

A haunting, J-Pop drenched odyssey, PERFECT BLUE presages Kon's 2006 release PAPRIKA in terms of theme and in the use of mesmerizingly creepy musical compositions, specifically "Virtua Mima" written by Ikumi Masahiro. 

Super cute is the novelty that the World Wide Web presents to the reality of the anime's characters, with websites and browsers being a relatively recent arrival revolutionizing the world of Gopher and Unix protocols.            

Get it while it's up: PERFECT BLUE

Wednesday, October 16, 2013

Panama Indie-Film Gold | GREED (2013)

Colorful, captivating GREED.

dir. Maria Isabel Burnes

Shot in New York, GREED is a 2:46 short directed by Panamanian-born Maria Isabel Burnes, one of the vanguard of up-and-comers in the fast-expanding indie-film scene just now taking off in the Republic of Panama.  

Burnes' 2nd piece, GREED placed first in the 2013 Honduran COR3 Film Festival in the Central American category while at home she won her category in the Hayah Short Film Festival sponsored by L'Alliance Française for which she'll represent Panama in the upcoming Trés Court International Film Festival.

Her third short SCREWDRIVER, an 80s exploitation film shot in 35mm and 16mm,  is just now in the can and soon to be released.  MI COMANDANTE, Burnes' fourth short done entirely in 35mm and shot on location in Panama has just wrapped production and is slotted for release sometime next year. 

For your viewing pleasure: GREED